Walt J. Rimmer

Would you be more comforted to know you weren’t alone?

I wonder how they’ll choose who gets crushed to death at every screening.

$400m for the rights alone. It doesn’t talk about cost of production.

Meaning they’re looking to make that rights cost back across the trilogy rather than from one film, but they’re constantly adding costs along the way.

It’s weird to me that he’s lumping all comic book movies together and acting like they’re the problem. We keep having trash movies churned out by studios because they make money. That’s been true since at least the nineteen-forties if not earlier. Hell, I’m really just talking about the ones where enough of them still survive that you can go find them. Earlier, in the silent era, yeah, you had trash get made quickly and churned out so that people would pay a dime to watch it. I don’t get how a single genre is supposed to be the culmination that’s ruining cinema.

But, here’s the thing. Have movies changed over the years? Absolutely. Scorcesie’s movies have changed over the years! His style has changed, his vision has changed. What sells tickets has changed. How studios are producing films based on what they think will make them money has changed. It’s been discussed before that the fall of video rentals and the rise of streaming has changed what kinds of movies studios are willing to put their money behind and how they’re less likely to take a risk on something than they used to be. That’s a problem. That’s a big problem because it’s reduced the number of small-budget and medium-budget studio films. None of that can be blamed on comic book adaptations.

And there’s nothing inherently wrong with a comic book adaptation. Marvel movies are overly formulaic and especially since Disney bought them overly safe. Even in the ones I like, I can just feel that Disney touch that makes me go, “Ew,” sometimes. DC’s movies have been mismanaged with an unfit vision helming its original run from the start. So the big series, yes, I’ll admit, they’re kind of shit cinema. I still enjoy some of them, but they’re kind of shit cinema. There are plenty of shit crime movies and thrillers and other things like that, but I’m not going to start yelling about how they’re killing cinema and we have to fight against them. Why do comic book adaptations get singled out as artless trash when there’s a constant stream of hollow feel-good romance films that get churned out every year? Do those formulaic vacuous sap-fests (some of which I love and will watch whenever I need a good cry, I’m really not knocking them) really merit a pass yet for some reason comic books require this war be waged by filmmakers against them? I really don’t see how they’re the problem.

And you can come in and say things like, “He’s just stirring the pot to promote his film,” but I don’t think so. Scorsese has had a lot to say about modern filmmaking even when he doesn’t have a project on the table. He’s talked about his feelings on modern film culture, comic book adaptations, using the word content to describe any form of media, and more. I really don’t think he’s doing it to bring attention to any project so much as he just really feels very strongly that movies have changed and change is bad? Is that really what it is? Because some of the stuff he sees as a problem, yeah, I agree, it’s an issue. But other stuff like this, even if there is a problem, your aim at what the problem really is is just completely off.

I don’t really know how you can threaten someone when you need them more than they need you.

If you leave town, where are you going to go? The city doesn’t need you. If you’re not making what you want/need here, go ahead, leave, the city won’t be hurt by it. You will, though. Because you’ll have to pack up your business, set it up somewhere else, and hope that they do the things you want them to. It’ll be expensive for you, won’t mean a thing to the city.

So how is it a threat?

So did I. Loved the movie as a kid. I haven’t actually had the nerve to revisit it because I have no idea what I’ll think of it going back to it today.

I always enjoyed the US Godzilla films

Always?

Like… Always?

If Chicken can be a language, that can be a language!

And I don’t mean the actually useful programming language. I mean the esolang one where the only valid character is Chicken.

Not just young people. I’ve seen this kind of behavior in surprisingly old people such as Gen X and even Baby Boomers, but I’ve seen it in a LOT of millennials, the youngest of whom are now in their early thirties and the oldest are in their forties.