dreadgoat

On the flipside of this, I’ve been kicked from games because I know how to prefire, and a lot of players see that and just assume you’re wallhacking. Nobody pays attention to the 70% of the time that you prefire at air, but when you guess right and instakill someone holding an angle, it’s easier to say “cheater” than “i’ve been holding this same angle for the past 5 rounds, perhaps I’ve become predictable”

This comment will include a lot of spoilers for the yokoverse. Continue at your own peril.

Anyway, just to give you an idea of how little any of this matters to Yoko Taro, here’s how his stories have developed:

Drakengard: Ends with absolute apocalypse, total destruction of the world, no coming back.

Nier: Let’s go ahead and change the name and say that all the Drakengard stuff has now entered a new dimension. Our dimension! The story technically goes on, and THIS time we’ll have the absolute apocalypse of OUR world.

Drakengard 3: Where do we go to continue the Darkengard name? Make it a prequel! Ezpz. Also we already did interdimensional stuff so let’s add time travel why not.

Nier Automata: Okay the world basically ended for humans, but who cares? Just make it all about legacy of humans.

You know what, we can do even more already. Why not pepper in some mobile games, like Nier Reincarnation and SINoALICE (yes, this is still Nier universe). Why keep it to games? Let’s write light novels (YoRHa, Drakengard 1.3) and a stage play (YoRHa Boys). I am not even the biggest Yokostan so this list is probably incomplete.

My personal take is that this methodology is all very intentionally tied to the main theme of the Yokoverse, which is that no matter how dark and hopeless the situation may become, there is always a future; a new opportunity.

Homelander will definitely be a zoner, Omni-man is a bruiser.

It’s the same basic gamefeel NRS has been doing for a while now. If you’ve played MK11, Injustice 1 or 2, you can expect pretty much more of the same baseline experience with new characters, moves, fatalities.

Story is a solid new entry if that’s what you’re going for.

Yes, learning this the hard way is the bane of young devs.

I am an underpaid senior developer. I KNOW I am underpaid. I don’t care. My work-life balance is great, my co-workers are competent and friendly, my boss leaves me alone on weekends and fully respects my vacation time. I am respected and listened to when I think a project is ill-fated, or even if I simply don’t like working on it.

There is no drama, minimal pressure, and I haven’t worked an hour over 40 in a very long time. I get called by headhunters all the time offering big pay raises, but they also say shit like “rewarded commensurate with effort given” which is code for “200% more work for 25% more pay” and I’m not falling for it.

This isn’t to say you shouldn’t keep your eyes open and be willing to change for the better, but if you ever find yourself happy, stay happy.

US schools definitely mess with your head the higher of an achiever you are.

In remedial classes, in most places, 60 is passing.
In normal classes, in most places, 70 is passing.
In advanced classes, you may be kicked out for scoring under 80.

The intuitive concept of “barely good enough” keeps getting higher as you perform better, plus of course each of these types of classes are progressively more difficult by their nature. It really fucks with people who are excellent in some subjects but average in others.

You’re missing the scale.

Everyone knew BG3 would “a success,” but it hasn’t just been a success, it’s been a nuclear bomb of a success.

Optimistically, people were expecting to get around 1 million in sales. Total. THAT would have been a GREAT SUCCESS. Today I think it has around 10 million on Steam alone, 10x the “hope we get there” number.

Imagine taking a job and hoping for a $10,000 bonus for good performance, and then your boss drops $100,000 on your desk. It’s that level of joyful shock.

I’m a huge book fan, and I have to say that book purists are the worst.

The show has made some changes that I don’t love, and some of the characters aren’t portrayed as I imagined, but for the most part it has been wonderful to see one of my favorite fantasy series brought to life, and to be able to enjoy this world with new fans. I always expect screen adaptions to make creative changes, since things that work in a book just don’t work on screen sometimes, and I’d say the changes and presentations have been pretty sensible for the most part.

For every change I dislike there’s at least one I appreciate, and all of the actors are killing it (with what they are given at least, looking at you weird Lan funeral scene). I’m looking forward to how they handle the story going forward!

used for things it wasn’t created for

I think Python gets a point here, as it is very good at doing what it was created for.
Javascript even sucks at its stated goal.