It is not the only point when it comes to adopting technologies, when it comes to maximizing privacy, yes maximizing privacy is tautologically the only point.
On the Internet, nobody knows you’re a human.
It is not the only point when it comes to adopting technologies, when it comes to maximizing privacy, yes maximizing privacy is tautologically the only point.
I think you are wrong is all I can realistically come up with.
You don’t need a punchline and an author has no duty. I would also argue plenty of stuff from Monty Python (and we are referencing ancient classical stuff by the way) have no punchline and make the lack of a punchline part of the comical experience.
Just look at this thing, there’s a stern father reprimending Charlie saying “IT IS WONDERFUL AND YOU ARE GOING”. Granpa on the brick of death is staring into the void filled with the dream of visiting the turnip factory!
You must laugh GODDAMNIT!
Because it makes the point for a more solid technology as far as privacy is concerned?
I don’t know what to tell you, if Monty were to do this it’d be dragged longer, the stern granpa would be histerically yelling and beating Charlie the whole way through and 8 minutes into the sketch an oompa loompa would walk in a suit and reference a line from 6 sketches before.
But I guess everybody truly is different and that’s ok, I guess. Maybe.
Have you ever seen like anything from Monty Python? i’m genuinely curious I know comedy is, obviously, subjective, but this comic has a distinctive quality and it’s hard for me to see it labeled as “shitty”.
You are not thinking with portals.
Sure, but I think this is not Yoko Ono.
It’s a funny subversion, personally it tickle my brain to recast everything I know about Charlie and the Chocolate factory in a turnip twist with a Wanky being as flamboyant as always and the kids being WAY less into it. i like to picture the parent being there and being enamored with it.
It says a lot about society.
They way I uderstand your comment, LTT is big enought so as to negotiate contracts with sponsor without being forced to share the metric related to the performance of the sponsored segment.
I doubt that’s true for many creators.
I’m pretty sure it does, they do see how many people play the segment.
You have a problem with profits, mate, not with ads.
I’m not disagreeing with you there, but also, I like the things I like to exist without waiting for the revolution.
My brother in Christ, being watched is the goal of any content creator, that’s unrelated to advertisements. Now Youtube ads are paid (lets simplify a bit) blindly once you click the video, it’s a metric, you see those if you want access to the video.
If the content of the video has the guy saying “thanks xyz for sponsoring this raid shadow legends” that’s a contract between the guy doing the video and the sponsor, following metrics agreed between themselves, it has no ties with “the purpose of youtube” simply because… it’s not youtube.
Will there be people doing cheap content to get “easy” sponsor money? Sure but if the content suck you won’t watch it. It’s a loss just like if the motetization was following any other driver (as long as the driver is… watching the thing rather than not).
I wish there was a way to pay for just a single video
There totally is, just send them a low amount of money or do the hwole Youtube Premium thing.
It does matter and most people obviously give you ways to directly support them.
That’s not your opinion. Ads are, indeed, ads.
Not all ads are invasive soul seeking tracking nightmares and no, there are not “many ways” for content creators to do that full-time.
Daily reminder that SponsorBlock, unlike adiacent solutions (Like AdBlocks for example) is not necessarily “good”.
Explicit sponsorship inside a video is considered to be one of a few good solution to the issue of content creators being naturally subjected to death by starvation.
You entertained me, because of the context. If you were able to draw it and contextualize it maybe setting it in a well known fictional universe, mixing it with themes of the wonder of a coming of age, the machination of the industry, the generational gap and a sense of rythm in the way the narration is paced and represented, I would probably find it brilliant.