I think it was revealed several times already in the past. Few examples out my hat:
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When it was revealed how little they pay artists
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When they tried to corner the podcast market
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When they gave Joe fucking Rogan two hundred and fifty fucking million dollars for an exclusive deal
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I don’t pay for Spotify, but if I do pay for music then I would choose Tidal
But I am grateful for independent journalism, which is now my main hope for the future.
Well guess who’s in control of eyeballs on those journalists?
Social media companies, who have clear incentives to deprioritize such content and have repeatedly shown they do.
Let’s reclaim music from the technocrats. They have not proven themselves worthy of our trust.
While I agree with the article, I have issue with this line. These are not technocrats, they are “leaders” willing to make companies and their products objectively worse in the name of short term profits. These aren’t ‘technical experts put in charge,’ they are greedy, spineless pigs.
I don’t think this is earth shattering news. These companies identify when the audience is barely paying attention (to content and ads) and spits out the cheap stuff. I watch fly fishing and fly tying videos on YouTube and often fall asleep with it on. Then I wake up to the third hour of a professional bass fishing tournament. It happens a lot
I just recently discovered a band on Soundcloud that has amazing tracks but they all have the familiar feeling of good songs being listened to decades ago, with the voice of the singers similar to that of famous singers of all genres. This is the band in question. [(https://soundcloud.com/flowerpunkhobo)]
I think it’s AI generated music from previous songs from the past.
Many of my friends use it. I’m old school and just keep a collection of mp3s on multiple devices for backup.
It’s all but impossible to purchase an mp3 anymore. Anywhere you can theoretically buy music does everything it can to lock you in to their ecosystem and prevent you from accessing your music outside of it.
I’ve bought a ton of music off bandcamp and qobuz. Definitely not mp3 tho, not when lossless versions are also available
I believe that Bandcamp is doing a pretty good job with it. But you can always sail the seas
I have no issue sailing the seas, if I can’t buy it an own it, then I don’t see the problem in downloading it.
My mother hates Spotify and just wants to own her music and listen to like the 100 or so songs she likes, but absolutely cannot figure out how to buy them. She’s not really technical and wouldn’t pirate if she were.
Your mother is absolutely right and this old school way is not so old school, it’s not mainstream but not really old school. But yeah piracy is a bit hard to accommodate, so in this way there are two options, teach her how to use it OR download her music.
If you support your favorite creators by going to their show or buying stuff I don’t see the ethical problem of piracy. I’ve more than 1600 songs from a dozens of groups and I just love it, got the best quality (at least 16 bit 48Khz), can listen to the songs offline on my PC or with my iem (best kind of earbuds in my opinion).
The only downside is the size of the files, I have about 25gigs in my library, my phone and my pc have enough storage but if I’d like I could reduce this to around 5-6gigs by using “normal mp3 audio”
What IEM setup do you use?
really little but it’s a good start in my opinion, maybe one day I’ll invest in some more quality stuff. Currently I use the DAC of my phone with a pair of Tangzu Wan’er S.G.
Do you use iem yourself? If yes, what’s your setup?
Oh yeah I do… depends on which ones I grab. High end (in perception not so much quality) I have a couple sets of Triple driver Westones. The MMCX connector version arey favorite of the Westones . My other pair came with a garbage “dental floss” cable and TT bax connectors, when I complained I was told the metal inside was contamination free or some bullshit. I did not bother pointing out listening to digital music and mp3s reduces the audio quality enough that none of their marketing bullshit is relevant.
On the other side, KZ have been my go to, because I’m much less upset if I mess up 40.00 IEMs vs 400.00 Westones. I have the AS12 which claim to have 6 drivers in each ear, could be and probably is BS but they sound amazing.
I’ve also got a bunch of Sennheiser and Shure in ears. Shure is basically like oldstyle Westones but stiffer with the Sennheisers being the smallest and having the smallest visual footprint.
I use the last two for TV broadcast and the Sennheisers are 100% the way to go visually.
Lastly I use a set of DCMEKA dual drivers with a FiiO Bluetooth adapter, they too out punch their price point.
Or I’m old and deaf.
I live in Europe. Had Spotify for about 5 years, stopped paying and using 6 months ago. I usually buy from Bandcamp, mostly non mainstream music, and download in FLAC and store it on my server. I can stream through the app on my phone when I’m out.
For the ones I can’t find on Bandcamp, or albums from major labels, I tend to find it on Qobuz in MP3. Pricing trends to be similar everywhere.
My pirating nowadays is mainly for old music or establish artists.Edit: autocorrect
What software do you use for that? I think I really need something like this, I have too much stuff that will never be on Spotify, like local band bootleg shows and video game remixes.
Slskd - https://github.com/slskd/slskd/
It uses the soulseek network (an old favourite of mine) installed though docker accessible through a browser.
If you want a desktop app, I recommend Nicotine+ for Linux or visit https://www.slsknet.org/news/node/1 for Windows.
I scan understand that you prefer to pay for your music, personally I prefer support artists in other ways than buying from platform.
I don’t put my music on my server simply because i prefer to have music directly on local, it’s not that heavy so I prefer having my music directly on hand. Even with the possibility of self hosting it.
The artists I like don’t come around where I live, so I can’t support through live music. I’ve done it in the past when I lived in a large city. In the end we’re all trying our best. And we all have our use cases, there’s no right way to listen to music.
Yeah you’re right and live music is my opinion always the best 😃
No idea why you would think it’s hard to buy MP3s. I’ve never had a problem buying any, just go to the big name FAANG companies’ music store webpages or Bandcamp for FLACs. No DRM on any that I bought.
Yeah, going from “Google Play Music” to “YouTube Music” was such a downgrade. Shit like Bluetooth had more issues with YTM, and they completely eliminated the ability to purchase music. It sucks and there are still no good alternatives on Android :-(
Used CDs (or local library). Ripping software. Super easy. Or just buy from Amazon and download your files to local.
People sell whole collections or discographies on ebay too, I’ve had good luck with that. CD, then rip them. I don’t give a flying fuck what law says if I own the media I’m going to rip it.
For music that I really like, for artists that I really appreciate, I do look for ways to support them, because buying used does not.
It’s not hard to download a YouTube video as an mp3, so all you’ve gotta do is rip it from one of the many places it’s posted up.
Tidal
Me too, it’s just so much better
I didn’t know this, but it makes sense. One of my biggest complaints about streaming (Pandora is guilty of this, too) is that anyone with a copy of Ableton and a mediocre talent can crank out tracks barely modifying the base toolset. I tend to listen to a lot of variants of electronic music. 95% of the music is absolute crap. 4.5% is tolerable. And 0.5% might end up in my playlist. Less tan 1:100/songs. I have no doubt that “band” or artist names were made up to crank something out, abandoned, and started up under a different name to churn out more boring samesies hoping for a few plays in one of those “made for you” playlists.
So the service doing this for themselves and enabling it for profit isn’t surprising.
This ratio has been true of music forever. We have always depended on filters to get to the good stuff. Used to be access to recording studios (hence labels fucking everyone), then DJ’s setting taste (had its own problems). Pick a period of time there’s always a group or economic filter separating wheat from the chaff (not perfectly but generally successfully?) which makes it hard for independent/lesser knows to break through.
Now everyone can record and publish easily, so it’s about finding shortcuts or tricks to game the system and get ahead. Or, as always, just get lucky 🤷♂️
Completely agree. I had this exact discussion not too long ago about the recording industry 20+ years ago - or at least before the advent of widely available mp3 downloads. The recording industry and DJ/Radio was and still is an awful tyranny that plays kingmaker and squeezes every possible cent out of fan and artist alike while telling the fan what they’re supposed to consume and the star what they’re supposed to sound like.
The upside to that content filter was that some genuinely good music got made and put on albums where both A and B sides were good to great. The downside is that a ton of artists never had a chance at being heard who might be just as good or might have shifted the genre, added to the repertoire, yet the music landscape was more monochromatic.
IMO there was a lot less chaff 30 odd years ago because they got filtered hard. But consumers were also forced to listen to the billboard top whatever all the time.
Now with affordable tools readily available and the ability to easily upload music to various streaming services the production of music has been democratized. This is good in the sense that it lets more people be heard. It’s also not so good because the ability to climb to the top is far far harder, far fewer will make any real money, and for every good single or A side there’s a thousand B side throwaways.
Yeah I guess it’s always been this way. Does anyone remember the Captain Oblivious mp3 “mixtapes” he used to put out regularly, like 20 years ago? Indie and underground music. Rule of thumb, I would listen to only about 1 in 20 songs more than once.
One of my biggest complaints about streaming (Pandora is guilty of this, too) is that anyone with a copy of Ableton and a mediocre talent can crank out tracks barely modifying the base toolset.
People being able to do art isn’t a bad thing, and I’m glad streaming has made publishing so much more accessible.
If you don’t like it you don’t have to listen to it. Every time some algorithm playlist churns out another spoonful of slop you don’t actually have to open wide.
You could just look up the artists you like and what other people like that’s like those artists, or look at collabs they’ve done or who remixes them or been remixed or covered by them and who they’ve been in bands with and what genre they tag to see who else is in that (micro)genre/niche.
I’ve never actually listened to someone else’s playlists, not man-made nor generated, only my own, and I regularly listen to extremely niche folks with 1k-40k Monthly Listeners all of whom are completely legitimate artists with unique great music, many of them electronic actually.
The truth is that 99% of people like copy-paste slop and that’s why they click on the slop and gravitate towards algos or charts for top ten artists.
And a global market for music with a low entry barrier means that it’s easier than ever to get started artistically expressing yourself for fun and for yourself, just as it should be, but still hard to be actually heard if you want to take it commercial, even if it’s fairer system than the gatekeeping of labels.
🎶 but look I made you some conteeeeeent daddy made you your favorite open wiiiide 🎶
Art… look, I get the premise of what you’re saying, but just because art is mediocre or just bad doesn’t free it of criticism because “art.” It can be shitty art and be called exactly that. It’s not sacred.
Edit: nice massive edit you did.
And is this argument that “if i don’t like it I don’t have to listen to it”? The WHOLE POINT of Spotify is to listen to it and be exposed to music, and my position was that it’s littered with crap. You’re basically telling me that if I don’t like billboards along the roadside I shouldn’t bother having a car? Lol, whatever man. Shitty art is still shitty art. Not everything belongs in a gallery.
Yeah sure, it’s actually good to think critically about it, but that doesn’t mean it’s existence is a negative, which is how your comment comes off - dismissive.
In the same way the world would be a slightly worse place without the joys of b-movies like The Room or Suburban Sasquatch or Plan 9 FOS, or without outsider musicians like Daniel Johnston etc…
I don’t need to listen to badly made music any more than I need to be exposed to budget hotel room art on the walls of the Louvre. You wanna watch B movies? Great! But nobody’s inserting 30 C and D films between your current netflix series.
“badly made music” is a subjective idea.
“Inserting 30 C and D films” implies forcing someone, you are never forced, Spotify is not a goddamn radio station, you can just click on the track or album or artists you want.
That’s the whole selling point of portable music since the days of the original Walkman, that you listen to what you want, and not what’s on the radio.
Same thing with Netflix, you can click the search bar and type in your film or show of choice, you can even stop using Netflix altogether instead of just consooming like a slop vacuum.
Maybe touch non-algorithmically selected non-personalized grass too.
For ease of reading, the investigation he refers to:
https://harpers.org/archive/2025/01/the-ghosts-in-the-machine-liz-pelly-spotify-musicians/
In short: fake artists with stock music (changing labels and other camouflage applied). Likely goal: to depreciate streaming counts for actual artists and increase profit margins.
What I uncovered was an elaborate internal program. Spotify, I discovered, not only has partnerships with a web of production companies, which, as one former employee put it, provide Spotify with “music we benefited from financially,” but also a team of employees working to seed these tracks on playlists across the platform. In doing so, they are effectively working to grow the percentage of total streams of music that is cheaper for the platform. The program’s name: Perfect Fit Content (PFC). The PFC program raises troubling prospects for working musicians. Some face the possibility of losing out on crucial income by having their tracks passed over for playlist placement or replaced in favor of PFC; others, who record PFC music themselves, must often give up control of certain royalty rights that, if a track becomes popular, could be highly lucrative. But it also raises worrying questions for all of us who listen to music. It puts forth an image of a future in which—as streaming services push music further into the background, and normalize anonymous, low-cost playlist filler—the relationship between listener and artist might be severed completely.
I’m just amazed they haven’t tried to use AI to write and record their shoddy muzak, cutting out the musician all together.
In some ways it seems worse that they make humans pump out this slop instead of a machine
Bandcamp is the way to go and Tidal if you really need streaming.
Tidal has decided to sunset it’s app, which means it’s basically on maintenance mode now. Somewhat off putting.
Did they? Couldn’t find an announcement on the fly.
They laid off 10% of their workforce last year, and like 20% of the remaining work force late this year with cuts to engineering expected. It is not in a healthy place, seemingly, and they cover a very small slither of the market.
Edit: Couldn’t find the exact article I had read before but this one seems well formatted. https://www.headphonesty.com/2024/12/tidal-bets-future-artists-djs/
It doesn’t help that their parent company makes so little from them compared to a series of crypto ventures, but what can really compare to that.
Boy, that’s a bummer. Thanks for the information, I’ve missed that.
Its app on a specific platform? Or do you mean the entire service? Seems weird that they would sunset their only product.
They’ve been making deeeeeep cuts in order to make the company “more like a startup”, as per Jack Doresey’s comments.
Well that’s fucking dumb.
I jumped ship over to Quboz for this reason. I’ve been really happy with it
I’m concerned with switching to a small alternative which then becomes untenable or shutters within a year and then having to piss around again.
They been around since 2007 though, so not my biggest concern right now
Never heard of them. They seem interesting, will definitely taka a look. Thanks for the hint!
I don’t know, do you people let Spotify decide that much about what you hear? I normally never let the music run through so that automatic recommendations play, but I choose explicitly what’s added next in the queue. So the problem mentioned in the article is not relevant to me at all.
I usually only listen to one album at a time, front to back. But I think most people don’t do that.
Yes, listening to whole albums is not only great with albums you already know, but it’s also my favourite way to get to know new artists. A single song is often not enough to understand the whole picture or range.
Well, seems to be an old-fashioned approach. But I’m also not the type of person who has music blare in the background all day. So I don’t like the radio-like approach by Spotify to just let anything play what the algorithm thinks is fitting.
I’m a little weird like that, I often listen to the whole discography if I find a single song or album I like. My music knowledge is very deep and but rather narrow
not relevant to me at all
Do you think everyone is like you?
No, I don’t think that and I did not write anything like that. I was just sharing my perspective. And was interested in learning how other people use the player.
So that comment was purely out of curiosity and in no way implied a certain degree of incredulousness?
I was asking a question, so yes, I wanted to know how other people see this and how people use the music queue.
Of course I’m sure that there are many different ways to interact with Spotify and I don’t think that any specific type of use is superior.
But since I don’t let the algorithms influence my music selection very much, the problem described in the article doesn’t have that big an impact on my everyday life.
I’m not saying that I think Spotify’s approach is right. I would like a much more user-friendly music player anyway, unfortunately I find Spotify quite cumbersome and inflexible.
Apart from that, I think that artists should get a bigger share for the use of their works.
This conversation has completely shifted gears
One of the best thing to do is to pirate almost all of your music and then reward the creators by going to their shows, buying them shirts or even CDs (you can also rip physical copy if piracy is not a thing)
Or buy off Bandcamp on Friday’s. But also support local and developmental acts
why Fridays?
On Bandcamp Fridays, Bandcamp waives their revenue share and passes the complete funds directly to artists.
Bandcamp usually gives all the proceeds of sales directly to the band on Fridays
Ideally just send them money, most of the are set up for donations.
Tshirts and CDs create waste unless you actually end up using them
I totally agree with your point of view, I was talking to buy stuff to use it. When sending money I usually just gives some money to the group at the end of the show by hand
“Nice show Ms Swift, there’s a tenner for you, maybe buy something nice with it”
When sending money I usually just gives some money to the group at the end of the show by hand
Lmao WHAT? You don’t seriously expect people to believe this…do you?
Ohh sorry if I make myself misunderstood but I really listen and go live to small to medium groups so I can definitely to this, but maybe you can’t, no problems online (or IRL) donations are the solution
Pirate the music, use ListenBrainz (which is FOSS) to analyze your listening behavior and make recommendations
So instead of the cents that artists get from streaming you propose they get nothing at all? You can buy from Bandcamp if the artists are on it and use ListenBrainz.
Exactly, they aren’t losing anything and there’s hope a better system will come along.
Agreed on Bandcamp though. The very few artists who use it get my money through there.
Didnt bandcamp get bought by some big company a little while ago? Sp bandcamp just doesent have the library yet. I do like it though in its current form (until it gets enshittified)
Epic Games (lolwhat?) bought it in 2022, but sold to Songtradr in 2023. The latter seems to be some kind of music license broker.
I’m very much in favor of people supporting artists, but I don’t feel like people should be obliged to do so. I don’t believe copyright is doing society any good, and I think everyone should be free to download/listen to whatever they please. If you make music and set it free in the world, let the world listen. If they like it, they might support you, and if they don’t that’s too bad. Feel free to disagree, but that’s my point of view. If I pay for music it’s mostly by going to concerts. I’ve also donated to artists, for instance to Cardiacs when their lead singer got ill. And Major Parkinson through their kickstarter campaigns.
Can I import my history from Last? I’ve had my lfm account for like… almost 20 years, and I really don’t want to have to start off blank…
yes, you can connect them and you can import from last.fm. I was in the same situation as you, first I had both simultaneously running for some time, because I needed to get comfortable with the idea of removing last.fm. I also have data since 2008 so I felt a bit insecure ‘risking’ that. But after a while I concluded there was really no need for me to keep last.fm so I removed it. Haven’t had any regrets. ListenBrainz isn’t perfect but, despite it’s small development team, it’s sgnificantly improving every year.
https://listenbrainz.org/settings/music-services/details/ Here you can “Connect to your Last.FM account to import your entire listening history and automatically add your new scrobbles to ListenBrainz.”
Thanks! I didn’t want to make an account just to find out if I could or not. I’ll poke at this soon :D
the german tv channel ARD actually published a three-part investigation into Spotify and Eventim middle of 2023 where they spotlighted this issue as well. it’s a great watch if you understand german!
it’s called Dirty Little Secrets
EDIT: here’s episode two, the relevant one where they investigate what they call “ghost musicians”
From the article:
"…journalist Liz Pelly has conducted an in-depth investigation, and published her findings in Harper’s—they are part of her forthcoming book Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist.
…
"Now she writes:
‘What I uncovered was an elaborate internal program. Spotify, I discovered, not only has partnerships with a web of production companies, which, as one former employee put it, provide Spotify with “music we benefited from financially,” but also a team of employees working to seed these tracks on playlists across the platform. In doing so, they are effectively working to grow the percentage of total streams of music that is cheaper for the platform.’
In other words, Spotify has gone to war against musicians and record labels."
Once they get maket shared they start extracting…
To normal people this is called enshitification
This should theoretically at least be illegal, as they abuse the power of the platform to favor certain tracks unfairly.
Any action would require a government that pretends to care for the pedons.
Spotify is AFAIK Swedish, so there you go.
PS:
I guess you mean peons.
Pedons is apparently types of soil: https://www.britannica.com/science/pedonSpotify is AFAIK Swedish
It was started in Sweden where its operations are still based, but it’s headquartered in Luxembourg and it chose to IPO on the New York Stock Exchange.
Luxembourg screams “tax efficiency” to me, so their list of pre-IPO investors must be quite the thing.
@Buffalox@lemmy.world
Hmm
All western regimes sold out us out, mate
Exploiting us is the MO as workers and customers
I disagree, I live in Scandinavia in one of the best democracies in the world.
EU is mostly OK IMO. Democracy can never be perfect, because it’s about compromises. But without the compromises you’ll have a real dystopia.
But here is just about as good as it gets at our current level of development.
So get real why don’t you?Well put. Cheers, gallons of glogg and a Merry Christmas to you.
Sweden has regressing with the rest of the west.
Sure they have it better than most of oecd but the corporate take over is underway, they botched the immigration policy which resulted with serious crime rates…
A tiny foil wearing person would think that this was done on purpose to undo Swedish strong socio economic policy
Time will tell but the trend for Sweden is not looking good same way as other countries…
Indeed. Regulation is deeply unpopular these days. At least with the oligarchs.
We got enough of their bootlickers in this thread lol
Can someone explain why this is bad? It seems like normal behaviour of corporations.
Or has spotify previously committed to being a fair market?
This is like a soup joint that’s trying to see how much they can piss in the broth before customers notice.
This is a completely disingenuous comparison.
yeah, it’s more like they piss directly into peoples mouthes, but it turns out a few people are into that and can’t get enough of it
According to the RIAA, Spotify is a leading contributer to music revenue going up over the past decade plus https://www.riaa.com/wp-content/uploads/2023/03/2022-Year-End-Music-Industry-Revenue-Report.pdf
Prior to spotify, people bought songs or albums, and were locked into their favorites or pirated music, which obviously contributed nothing to artist’s pockets.
Spotify is not the evil entity here, in my opinion. Record labels are.
Edit: Unsure how reliable of a source this is, but steaming reduced piracy levels by ~20% https://www.alliotts.com/articles/streaming-has-a-consumer-and-a-piracy-problem-the-answer-lies-in-the-music-industry/
I do think that we have become far removed from the old days, because music piracy was extremely prevelant before these services came out.
A couple of years ago we reached the tipping point where artist are paying more for Spotify to promote their music than Spotify is paying the artists. Spotify is more evil than even the record companies at this point.
Streaming only reduced piracy because it presented a more convenient option. This formula has already changed with their predatory behavior.
The reason artist create has little to do with money. It was never about that and those that think it make shitty music and are owned by corporations.
Technology has set us free from corporate control, but we have to shun commercial platforms. We will never be free running to the wide open arms of business ready to fleece us and lock up our culture behind their pay walls.
Enshitification is here for every corporate platform. There is no escape. The days are 0% interest aka free money are now long gone.
That would be a health hazard, so it’s not really comparable.
It seems more like a soup joint using cheaper ingredients in their dishes, which is just… normal? I don’t get what the big deal is.
It’s normal if you accept it. You do not have to accept it. There’s also a good chance that it’s illegal in Spotify’s case, if not in the US then likely in Europe.
Under what law?
Likely antitrust.
That said if you’ve gone down the path of reasoning that says things that aren’t illegal are okay, then I don’t know what to tell you.
I suppose you could argue that Spotify can abuse its position in the same way that Walmart bullies its suppliers and Microsoft freezes out competition, but it doesn’t sound like that’s what’s happening here. Like I said, it sounds like they’re just preferring cheaper sources.
This is behavior is anti competitive under both US and EU and member states’ law.
Issue is the regulatory capture along with strong corporate lobbying on these issues.
If you are with it, that’s cool. But behavior has historical precedent and it requires the state to set boundaries on the extraction practices
Better check the TOS doesn’t include acceptance of various concentrations of piss…
The normal behavior of corporations IS bad. By definition.
I’m just surprised that anyone didn’t assume this was happening. If most people are using playlists generated by Spotify, how are they not expecting Spotify to choose songs that are also in their interest? Furthermore, how would this be different from the practices of a radio station? Seems like manufactured outrage to me.
IANAL but it seems akin to the antitrust case against Microsoft for bundling their own web browser in with Windows or movie studios also owning theaters and giving preferential treatment to their own films.
You seem to be saying that something normal and legal cannot be bad.
Just because it’s normal doesn’t me it isn’t bad.
Unfair competition.
Published in January 2025, seeing the URL, huh.
The article is an excerpt from the full report, which comes out next month.
So basically Payola 2.0
“Our single best hope is a cooperative streaming platform owned by labels and musicians.”
Oh yeah that worked great with movie and television streaming. I really like to pay the same price for just a tenth of the selection…
What’s the equivalent for the movie and TV streaming?
I was thinking about the Paramount Decrees and how the repelling lead to the creation of studio owned streaming servies which has exclusive acces to the studio’s library like Paramount+, Disney+, Discovery+, apple Tv+, Peacock etc.
